Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
Press release: Fandor, a new on-demand provider of independent films, along with distributors Kino Lorber and Microcinema International, today announced it is pioneering the coordinated theatrical and digital premier, a first for the industry. The first film to be released under the coordinated theatrical and digital premier paradigm will be the June 15 re-release of 'David Holzman's Diary.' More at microcinema.com and fandor.com.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Zoe Saldana and Clifton Collins, Jr., share candid thoughts with a raucous audience.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
The 7th Annual San Francisco Women’s Film Festival opens with ‘Grace, Milly, Lucy… Child Soldiers’ and runs five days, with shows and events at the Roxie Theater, Ninth Street Independent Film Center and Mission Workshop. More at roxie.com and womensfilminstitute.com.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Behind the Scenes: Art director Patricia Woodbridge introduces ‘I Am Legend’ at Pacific Film Archive with a formal discussion of her work on that film and others on March 31. SFFS hosts Woodbridge at Ninth Street Independent Film Center for a Master Class on April 2, and then she returns to PFA to informally present ‘Shutter Island,’ on April 3. More at bampfa.berkeley.edu and sffs.org.
Ry Russo-Young’s 2009 Gotham Independent Film Award winner and Sundance Film Festival Selection, ‘You Won’t Miss Me,’ plays for one week at Roxie Theater. The film features Stella Schnabel, who plays a 23 year-old just released from a psychiatric hospital. More at roxie.com.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Press Release: The Audience Award winners for the 13th San Francisco Independent Film Festival include ‘Kaboom,’ named as Best Narrative Feature, ‘Bathing and the Single Girl’ for Best Narrative Short, ‘Free Radicals’ for Best Documentary, ‘Burning Wigs of Sedition’ for Best Music Video and ‘Mars’ for Best Animated Film. More at sfindie.com.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
Roxie Theater hosts the 13th SF Indiefest, which presents 15 raucous days of both feature and short independent films. Opening Night features Gregg Araki’s ‘Kaboom,’ with an afterparty at CELLspace and live music. More at sfindie.com.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
At SFFS Film Arts Forum, experts offered live advice on how to pitch a film.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
This Bay Area Video Coalition panel includes representatives from Microcinema International and Filmmakers Collaborative discussing the many emerging choices independent filmmakers have for releasing their films.
This Bay Area Video Coalition panel includes representatives from Microcinema International and Filmmakers Collaborative discussing the many emerging choices independent filmmakers have for releasing their films.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Choosing and implementing the right motif can help convey a narrative documentary's theme.
Now…what exactly is a motif? And why would you want to edit one into a documentary film?
During one of my recent group coaching calls, we addressed these questions. . . .
If you re making a short narrative, foundations give you no respect. Financiers turn a cold shoulder. Government grantors snort. And festivals slot your film Sunday at midnight.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
San Francisco has a variety of excellent soundstages, but one is trying to save the earth.
San Francisco has a variety of excellent soundstages, but one is trying to save the earth.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
Wasn't it just yesterday that Cinequest was the scrappy upstart amongst Bay Area festivals? Apparently not: San Jose's annual cinematic blowout is entering its third decade.
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
"I wish gay cinema would die", Joe Graham declares. It s not queer movies the San Francisco filmmaker hates, but categories and pigeonholing.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Shannon and Ryan own the screen in the contemporary indie noir The Missing Person.
Frederick Wiseman documents the frantic routine of choreographers for the Paris Opera Ballet as Frazer Bradshaw gives a more familiar portrayal of workplace satisfaction.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Shot in depressed burgs and 'burbs across the country, this documentary looks at the U.S. at its lowest economic ebb in generations.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
After ripping it up at various genre fests, the Bay Area indie horror flick settles in for a theatrical run at the Red Vic.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
Beyond Words: The people who back up the main character are often key sources of revelation, unmasking aspects of personality, motivation and backstory.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
First Person: How can people respond in diametric and, at times, vitriolic opposition to the same film? Mine.
Joe Berlinger speaks about the making of an environmental disaster in the Amazon, as seen in his new film, Crude.
Fear-Free Fundraising: Notes on assembling the basic ingredients for a great foundation funding proposal.
High-concept cabaret-act favorite in the Bay Area who sidelines as a filmmaker, Cory McAbee (The American Astronaut) speaks about his latest, Stingray Sam.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
Behind any narrative for the screen is the story that came before it—the life that shaped the central character, who arrives fully formed as your story opens
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Oakland attorney Richard Lee speaks on the legal case surrounding the Swedish filmmakers of the hot-button documentary Bananas!.
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Tom Shepard revisits the overachieving, hyper-ambitious world of science-obsessed high school seniors in his new film, Whiz Kids.
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
At a film festival called Another Hole in the Head, dedicated to sci-fi, horror and fantasy, catastrophic carnage meets comedy more often than not.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Deborah Kaufman and Alan Snitow explore the customs and modernity of the next generation of Jews in their documentary Dis-Continuity.
Franny Armstrong's The Age of Stupid is a documentary encased like a time capsule inside a fictive but science-based, frighteningly possible future
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
Avoiding Disaster: George Rush advises on how to secure funding for your film and protect yourself along the way.
Avoiding Disaster: George Rush advises on how to secure funding for your film and protect yourself along the way.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Ramin Bahrani's Goodbye Solo prompted Roger Ebert to pronounce him "the new great American directorâ" a couple weeks ago. The film is definitely the writer-helmer's most accessible work to date, one that might very well provide him with an arthouse breakthrough.
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
Fans, Friends & Followers, focuses on strategies artists can use to support their careers in the digital age.
Michael Jacobs talks about his documentary, which follows Pentecostal Pastor Richard Gazowsky engaged in the creation of an ambitious, multi-million dollar sci-fi-feature on God.
A mini-tutorial on story structure: in a character-driven documentary there are a few simple questions you have to answer in order to vet your story potential.
Mark Kitchell current project is an ambitious summation of the environmental movement, from the protests of the 1960s, the '70s focus on pollution, the Greenpeace campaigns and the global climate change.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Holly Million reviews some of the documentaries shown at this year's festival: It Came >From Kuchar, MIne and Motherland.
His personal curiosity on family histories and some actual events, are behind this movie about complex families Ñthose in Mexican gangs and those traveling immigrants looking for a better life in the U.S.
Caroline Kraus is embarking on a project with a rough outline, a firm destination, little money and no ending, but with a unifying theme: underdogs, and our notions of success, failure and disappointment.
Sound design: in a documentary can be a great ally in bringing real life to the screen, and the dilemma is not whether to use this wonderful story device but rather how and in what context.
H.P. Mendoza talks about being a filmmaker in the Bay Area and the opening of his last musical, where he is both director and composer of the film 19 original songs.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
What you'll get at Cinequest's three downtown San Jose venues is a mix of tributes, seminars, parties and, of course, a whole lot of movies, including no fewer than 18 world premiere features.
What you'll get at Cinequest's three downtown San Jose venues is a mix of tributes, seminars, parties and, of course, a whole lot of movies, including no fewer than 18 world premiere features.
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
About as far from the ever-increasing corporatization of popular music as you can get is the annual dose from the Noise Pop Festival.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
SF360.org interviews Davila on his film about a bottom-rung Tenderloin drug dealer with aspirations of becoming an artist.
Fear-Free Fundraising: Holly Million suggests ways to make approaching individual donors that much easier.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
In this fable-like movie, an indomitable young orphan finds friendship with a lonely flight attendant and a teen-age caretaker of elephants.
Ask the Documentary Doctor: If my doc doesn't follow a fiction three-act model, will it fail in the market?
With a roster that sprawls from horror to softcore to verite-style drama and documentary, the only constant is that you won't be bored.
13 Most BeautifulÉSongs for Andy Warhol's Screen Tests offers a cherry-picking of the famous Warhol reels accompanied by live original-soundtracking.
The PFA's series of "essay films," a collection of diverse work, offers the viewer an opportunity to adapt to the peculiar tone of these films.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Michael Fox looks behind the scenes of a film on the maverick Seattle composer-performer-inventor Trimpin.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
If you've been waiting for a punk-rock doc about sewage and wastewater treatment–admit it–it's in the pipeline and heading your way by year's end.
Instead of breaking it down strictly category-by-category, Dennis Harvey meanders through some principal heat-seeking prestige films and their various chances.
Bay Area filmmakers, critics and industry pros list their favorite unreleased films of 2008.
Tom E. Brown talks about producing and funding Pushing Dead, a film about an HIV-positive writer forced to give up his daily drug regimen.
Sebastopol-based screenwriter Pamela Gray's approach to screenwriting is the literary equivalent of the slow food movement.
Fear-Free Fundraising: Holly Million on how donor cultivation can make you a successful film fundraiser.
Ask the Documentary Doctor: Fernanda Rossi discusses pros and cons of having to sit through a screening of one's own film.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
Fear-Free Fundraising: Holly Million advises filmmakers on where to get funding when the going gets tough.
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
Wayne Coyne's Flaming Lips movie extends a long, lately rising number of narrative features made by musicians.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
Andy Abrahams Wilson talks about Under Our Skin, his elegantly crafted film on the underreported epidemic of Lyme disease.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.
'It takes your guts and your entrails and your soul to make a film,' Mikels once proclaimed. 'It takes everything you possess within you!'
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
SF360.org asked this veteran indie auteur for his thoughts, which he gamely and intelligently offers here.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
Empress Hotel looks at residents of a hotel turned homeless people's residence through San Francisco's Access to Housing program.
Programmers for the San Francisco Jewish Film Festival, Peter Stein and Nancy Fishman, speak about never taking the path of least resistance.
The Gits offers both an appreciation of a unique quartet's too-brief career and consideration of Mia Zapata's death.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
Part Luis Bunuel parable, Artforum spread, Jonestown ballet and Warhol camp, Harmony Korine's latest is a prime, insomniac two hours of midnight-movie drifting.
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
Touching Home by Bay Area-raised identical twins Logan and Noah Miller is a largely autobiographical coming-of-age film that radiates sincerity.
East Bay filmmaker Johnny Symons' documentary "Ask Not" moves beyond stereotypes to examine what experience is really like for gays and lesbians in the military.
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
Small-town "heartland" America that once held our majority populace is now seldom seen on screen. Jeff Nichols debut feature Shotgun Stories is an exception.
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
Writer/director Jonah Markowitz's Shelter is a romantic gay surfer that more than earns its spurs in terms of real-world credibility and psychology.
Just when Gus Van Sant seemed on the verge of turning into just another Hollywood selloutÑhe did a total about-face. His four features since have been true art films
A "discovery" festival from Day OneÑmeaning they premiere a lot of films, including many other fests might pass overÑSan Jose's Cinequest actually adopted "Discover" as motto for its 16th year.
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
Warts & All: The Films of Danny Plotnick: 10 short comic narratives are exemplars of an unpolished, unpretentious school of moviemaking that aims at every moment to be audience-friendly.
In addition to practically every extant band you’d want to see, an art exhibit, and comedy shows, there are movies at Noise Pop.
Even as the country has become a typically affluent Western society, its cinema has retained its status as a crucial component of the national dialogue.
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
Even when just stringing gags together in his early comedies, Woody raised the level of the game, making humor intellectual and the intellectual humorous.
Anton Corbijn's Control is a dramatization of the book written by the frontman's widow, chronicling their romance and marriage, his eventual infidelity, and his mental health issues.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
Francisco Vargas' first feature has won a pile of international awards to date, and might have garnered more had it arrived on the scene earlier.
If they don't get the chance to beguile the world in theaters, maybe, at the very least, they'll find their way to audiences via digital download.
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
MobMov combines the four-wheeled charm of an old-time drive-in with the technologist's urge to pimp his or her ride into a rolling film-projection booth.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
"People in this town are coming to realize that Los Angeles needs a world-class film festival," proclaimed Rich Raddon, who's led LAFF since 1999.
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Walking in to interview John Carney and actors/musicians Glen Hansard and Marketa Irglova, the frenetic edge to their on-the-road exhaustion is apparent.
San Franciscans have a poignant symbiotic relationship with William Kaufman's freshman feature, The Prodigy, which returns to the city this week.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
The List: An Amerindie helmer well before the term was invented, Nilsson names 10 films which deeply affected him.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
It's taken over two years for Police Beat to go from one of the most praised films at Sundance to a theatre near you.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
James Longley's Fragments stands out amongst the crowded field of Iraqumentaries, while Others pulls back the Iron Curtain to powerful effect.
The alarm has been sounding for some time now that "indie" doesn't mean what it used to. Jeff Ross simply ignores the cranky clamor.
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
The filmmaker talks about tagging along with three renegade activists on their self-funded humanitarian excursions to war zones and disaster sites.
One month ago today, the maverick filmmaker was at the Hamptons International Film Festival reflecting upon his career at a tribute in his honor.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
Joseph McBride's What Ever Happened to Orson Welles?: A Portrait of An Independent Career catalogs the director's amazingly prolific final 15 years.
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
A panel discussion yields insights into the presentÑand futureÑof indie distribution.
Filmmaker Kirby Dick talks about censorship, and discrimination against independent films.
Distributors of independent films reveal their strategies and assessment of the market heading into the all-important fall season.
Ryan Fleck talks about his new film Half Nelson, his filmmaking career, and his creative inspirations and tastes.
Richard Glatzer and Wash Westmoreland's exploration of a teen's rite of passage is the warmhearted opposite of MTV's glorification of wasteful and selfish spending.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
An appreciation of the great actress of cult and mainstream films, before her appearance at a Midnight Mass screening of Death Race 2000.
Danielle Beverly, director of Learning to Swallow, offers some backstory on her filmmaking relationship with artist Patsy Desmond.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
Mat Whitecross talks about his documentary The Road to Guantanamo, which takes a look at the inhumanity of U.S. "detainment" camps in Cuba.
Marc Huestis talks about his latest film,
Songbirds is a "documentary musical" Ñ something that sounds like a pure contradiction-in-terms until you actually see it.
An alphabetical accounting of ten titles well worth watching that somehow slipped through the cracks.
After 35 years of underground success, veteran indie filmmaker William Farley still hovers just off the shore of mainstream respectability.
Insights into the initial process of bringing the screenplay adaptation of a short story to the screen.
Insights into the initial process of bringing the screenplay adaptation of a short story to the screen.
San Francisco filmmaker Terry Zwigoff, a former curmudgeon softened by success, discusses Art School Confidential.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.
The producer talks about the barriers filmmakers have faced in bringing Philip K. Dick's novel to the screen.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.
Chuck Stephens shares his thoughts, existential and otherwise, on the Bangkok set of Citizen Dog.
Vietnamese American filmmaker Ham Tran rights an historical wrong in his debut feature film on the Vietnam War.
A conversation with the filmmakers and one star of "Sentenced Home," about three Cambodian Americans in the process of being exiled.
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.
Transnational tales stand out at the 2006 San Francisco International Asian American Film Festival.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
Jeff Adachi, San Francisco public defender, adds filmmaker to the resume.
The List: In the aftermath of the Roxie resurrection, the five top-grossing films that screened there over the past two decades.
A tribute to the life and work of the late documentary maker Garrett Scott.
With a Leacock-Pennebaker tribute, SF State's Documentary Film Institute proves there's no reason to "revive" cinema verite; it never died.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.